THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes craving romantics, using this difference: Buster appears to be a plausible mate, along with the Tramp hardly appears to have a libido, only idealized notions. If their comedies had been designed in a more liberated time, it can be done to assume Keaton in mattress with a woman, but disquieting to consider the Tramp being a sexual